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The Virtual Machin Album

Profile on Print

Page 9
The fourth interleaf
  The front of the fourth interleaf with a picture of Czeslaw Slania engraving a stamp.  
 

The front of the fourth interleaf shows Czeslaw Slania engraving the image for a postage stamp on a die.

The text reads:

Polish-born Czeslaw Slania has earned himself a place in the Guiness Book of Records as the world’s most prominent and prolific stamp engraver. Now in his late seventies, the eminent master-craftsman has worked most extensively for the Swedish Post Office, but has also produced stamps for postal authorities all over the world. He is the inheritor of a centuries-old skill that has been practiced by some of the gratest artists, including Rubens, Rembrandt and Dürer. His dexterity and attention to detail is quite remarkable; he has the ability to engrave at an astonishing 10 lines per millimetre. Slania’s versatility is evident in the broad range of subject matter he happily tackles, from royal portraits and flora and fauna to film stars. He even finds time (and space) to include the odd personal reference within his miniscule canvas: a caricature of himself or the names of friends.

 
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  The back of the fourth interleaf describing the letterpress process.  
 

The back of the fourth interleaf describes the letterpress printing process and shows images of some of the equipment used in the process. The stamp pictured at the upper right is the four penny lilac of 1855, the first British stamp printed by this process.

The text on the interleaf is:

Like intaglio, letterpress has strong craft roots. The oldest mechanical form of printing, it is a “relief process,” whereby the printed area is raised above areas which do not print. In the mid-nineteenth century, immaculately hard-carved woodcuts had become the preferred method of illustrating books, and even today specialist presses continue the tradition. Over the years, letterpress became more streamlined and mechanised. Instead of wood, type and photographic images were cast in lead and then locked together in a metal forme to make the printing master. The surface is inked and pressed deep into the paper, leaving a rich, even image; the beauty of letterpress is its 3D tactile quality. British postage stamps were first printed letterpress in 1855 by De La Rue. The process remained popular until the late 1960s, particularly for the printing of newspapers.

 
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Last update: September 25, 1999 This virtual album is dedicated to Arnold Machin, 1911-1999 Macintosh!
Copyright © 1999 by Larry Rosenblum, all stamps and philatelic products Copyright © Royal Mail